The papers of painter and theatrical set designer Eugene Berman date from 1926-1975 and measure 6.7 linear feet. Found within the papers are scattered letters, primarily postcards, from various colleagues including Juliet and Man Ray and Berman's brother Leonid. There are also notes, scattered artwork, printed material, and extensive photographs, many of Mexico.

The papers of sculptor and painter Charles Searles measure 3.9 linear feet and date from 1953 to 2010. The collection documents his career through scattered biographical material, correspondence, personal business records, printed material, artwork, photographs, and a scrapbook.

The papers of painter, educator, and writer Louis Finkelstein measure 11.2 linear feet and date from 1930 to 2001. The papers document his career in New York through biographical material; correspondence with friends and colleagues; printed material such as exhibition catalogs, announcements, and published articles; sketches and sketchbooks; and professional material, including exhibition records and documents related to his time on the board of directors of the National Academy of Design. Also found are teaching materials and extensive writings, including notes and lecture outlines in over 40 notebooks and draft articles and lectures written by Finkelstein and others. The collection also includes over 40 sound recordings of lectures and audio notes by Finkelstein. Photographic materials include personal photographs, photographs of artwork, and slides used for lectures.

The papers of New York artist Nancy Goldring measure 4.7 linear feet and 0.213 GB and date from circa 1950-2015. Her career and personal life are documented through biographical material; personal and professional correspondence; writings; project and exhibition files; printed and digital material; scrapbooks; atwork; and photographic material. Notable correspondents include Lawrence Alloway, Robert Lax, and Leo Steinberg.

The records of New York City gallery, Betty Cuningham Gallery, measure 7.1 linear feet and 6.47 gigabytes, and date from 1970-1982 and 2004-2014. The bulk of the collection pertains to the reestablishment of the gallery in 2004, and includes artist files, exhibition files, guest books from exhibitions, exhibition catalogs and announcements, and scrapbooks. Among the artist and exhibition files are several promotional digital video recordings produced by the gallery featuring interviews with artists and curators. The gallery's early records, Cuningham Ward from 1972-1978 and Betty Cuningham Gallery from 1978-1982, contain artist files, exhibition files, a financial ledger, printed material, and photographs.

The Marilynn Karp papers regarding sculptor Richard Lippold measure 0.8 linear feet and date from 1949-2015. Included are personal letters to Karp from Lippold and Ray Johnson regarding Lippold; records pertaining to the Richard Lippold Foundation and estate; a folder relating to Hunter College, where Karp was a student and Lippold taught; a video recorded interview with Richard Lippold by Franco Zeffirelli, photographs and negatives of Lippold in his studio, printed material, a project proposal for the World Trade Center Memorial, and a few writings by and about Lippold.

The Ann W. Heymann interviews with artists measure 0.4 linear feet and date from 1974 to 1985. Heymann conducted interviews with 47 artists from the San Francisco Bay Area, Miami area, Arkansas, and New Orleans. The interviews were done in preparation for articles and writings published in or submitted to Art Voices/South and other publications; the Miami interviews were live radio broadcasts. Most of the interviews contain biographical information, artists' statements, and political and social attitudes.

The papers of Washington, DC, based painter Joseph White measure 1.7 linear feet and 1.61 GB and date from circa 1870 to 2010, with the bulk of the material from 1971 to 2008. White's career as an artist is documented through scattered biographical material, correspondence with family and friends, poetry, plays, exhibition catalogs, news clippings, source material, photographs and digital photographs of White, family, friends, and artwork.

Papers of painter Elisabeth Weber-Fulop measure 0.2 linear feet and date from 1921 to 1966. Biographical material, letters, printed material, and photographs document Weber-Fulop's career and artwork.

The records of the Bowery Gallery, a non-profit, artist-run, cooperative gallery, measure 3.1 linear feet and 0.684 GB and date from 1969-2008. Business records, letters, exhibition files, guest registers, printed and digital material and photographs document the gallery's activities and artists.