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Creators:
National Museum of American History.
Dates:
circa 1983-1994 and undated
Size:
27 cu. ft. (27 record storage boxes)
Collection ID:
Accession 00-002
Repository:
Smithsonian Institution Archives

This accession consists of records that document the planning, development, and installation of American Encounters, a permanent exhibition at the National Museum of American History (NMAH) commemorating the Columbus Quincentenary. The exhibition opened in 1992. The records primarily include the correspondence, memoranda, and research fil...

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Creators:
Smithsonian Institution, Office of Product Development and Licensing
Dates:
circa 1974-1999
Size:
39 cu. ft. (39 record storage boxes)
Collection ID:
Accession 00-112
Repository:
Smithsonian Institution Archives

This accession consists of Smithsonian Institution Engagement Calendar correspondence, design concepts, solicited bids, and production information; product development and marketing information, licensing contracts, and royalty agreements with private manufacturers; records documenting the American Pacific Enterprises quilt controversy; p...

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Creators:
Hedges, Jimmy, 1942-2014
Dates:
1969-2016, bulk 1991-2013
Size:
23.5 Linear feet
15.63 Gigabytes
Collection ID:
AAA.hedgjimm
Repository:
Archives of American Art

The papers of art collector and dealer Jimmy Hedges and the records of his Rising Fawn Folk Art Gallery measure 23.5 linear feet and 15.63 GB and date from 1969-2016, with the bulk of the material dating from 1991-2013. The collection documents Hedges's career as a dealer of outsider art and as an advocate for self-taught artists. Records include administrative and sales records, correspondence, artist files, collector and gallery files, exhibition and art fair files, regional files, printed and digital material, photographic material, and unidentified sound and video recordings. The bulk of the collection consists of artist files and color photographs documenting hundreds of artists that Hedges visited at their homes and studios, including Georgia Blizzard, Howard Finster, Homer Green, Bessie Harvey, Danny Hoskinson, Paul Lancaster, A.J. Mohammed, Charlie Simmons, Jimmy Lee Sudduth, Mose Tolliver, and Purvis Young, among many others.

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Creators:
Alexander, John White, 1856-1915
Dates:
1775-1968
bulk 1870-1915
Size:
11.9 Linear feet
Collection ID:
AAA.alexjohn
Repository:
Archives of American Art

The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

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Creators:
Smithsonian Institution. Office of the Under Secretary for Finance and Administration
Dates:
1997-2013
Size:
4.5 cu. ft. (4 record storage boxes) (1 document box)
Collection ID:
Accession 15-096
Repository:
Smithsonian Institution Archives

This accession consists of records created and maintained by Alison McNally, Under Secretary for Finance and Administration, 2007-2010. McNally remained at the Smithsonian Institution after her tenure as Under Secretary to serve as an advisor to the Secretary on Smithsonian-wide financial projects. Materials predating her tenure as Under Secre...

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Creators:
Archives of American Art
Dates:
1954-2004
Size:
17 cu. ft. (17 record storage boxes)
Collection ID:
Accession 06-090
Repository:
Smithsonian Institution Archives

This accession consists of records which document the administration of the Archives of American Art (AAA) during the tenures of Edgar Preston Richardson, 1954-1964; William E. Woolfenden, 1964-1983; Richard N. Murray, 1983-1988; John A. Fleckner (Acting Director), 1987-1988; Susan A. Hamilton (Acting Director), 1988-1990; and Richard J. ...

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Creators:
Smithsonian American Art Museum, Curatorial Office
Dates:
1971-2010
Size:
5 cu. ft. (5 record storage boxes)
Collection ID:
Accession 12-612
Repository:
Smithsonian Institution Archives

This accession consists of records which document the research, development, fundraising, publicity, production, and execution of exhibitions at the Smithsonian American Art Museum (SAAM) and the Renwick Gallery. Curators represented include Virginia M. Mecklenburg, Joann Moser, Toby Jurovics, and Merry A. Foresta. Also includes materials ...

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Creators:
National Museum of the American Indian, Office of Public Affairs
Dates:
1986-2003
Size:
8 cu. ft. (8 record storage boxes)
Collection ID:
Accession 04-170
Repository:
Smithsonian Institution Archives

This accession consists of project files, including correspondence with sponsors and media, memoranda, press releases, newspaper clippings, project proposals, legislative information, photographs, event files, advertisements, publicity reports and planning files. Particularly well documented is the transfer of the Museum of the American Indian...

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Creators:
Northern States Power Company
Hooks, Benjamin, Dr.
Xcel Energy
Reddy Communications, Inc.
More …
Dates:
1926-1999
Size:
30 Cubic feet (119 boxes )
Collection ID:
NMAH.AC.0913
Repository:
Archives Center, National Museum of American History

The records document the development and use of Reddy Kilowatt, a cartoon figure trademark created in 1926 by Ashton B. Collins, Sr. More than 150 investor-owned electric utilities in the United States and at least twelve foreign countries licensed the use of the Reddy Kilowatt trademark. The records include a wide range of textual and visual materials and sound and moving image recordings.

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Creators:
Center for Advertising History
Dates:
circa 1984-1994
Size:
7 cu. ft. (7 record storage boxes)
Collection ID:
Accession 02-078
Repository:
Smithsonian Institution Archives

This accession includes records documenting activities of the Center for Advertising History (CAH) in the preservation of advertising history in the United States, primarily through the acquisition of information relating to advertising and projects such as oral history interviews and public seminars. The records consist of correspondence ...

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